NORAH JONES COLLECTION STARTS WITH -THE TREMENDOUSLY RARE COLLECTORS THE LITTLE WILLIES NORAH JONES PROJECT CLASSIC RECORDS LONG OUT OF PRINT CLARITY VINYL 200 GRAM LP + BONUS 7 INCH SINGLE"
This Classic RECORDSLimited 1st Edition Audiophile Rare Out of Print LPSwere mastered from the Original Session Tapes to 200 Gram Heavy Virgin CLARITY SV-P II HAND MADE THE SUPER PROVILE II VINYL .. COLLECTORS NOTE TO VERIFY 1ST EDITION 200 GRAM PRESSINGS CLARITY SV-P II VINYL BLACK & SILVER STICKER ON THE PLASTIC WRAP IN EACH LOWER RIGHT HAND CORNER.
This Classic RecordsLimited 1st Edition Stereo Audiophile LP(which is a1st generation200SV-P II gram out of print pressing and gone from the collectors market forever. These 200SV-P II gram pressingsare theonly way to verify a collector owns a1st edition audiophilepressingfrom Classic Records. This in the long term will add tremendous value to your collection since these 200 SV-P II gram pressing were so very limited in production). Eachwas mastered from the Original Session Tapes to 200SV-P IIGram Heavy Virgin Vinyl & will give youthe feeling yourrightin the studio with the artist.
THESE CLASSIC RECORDS PRESSING NEVER CAME WITH BARCODES TO RUIN THE PRISTINE JACKETS FOR COLLECTORS AND WERE MAINLY ONLY SOLD TO AUDIOPHILE VINYL RETAILERS AND DISTRIBUTORS.
THE LITTLE WILLIES NORAH JONES PROJECT 200 GRAM LP + BONUS 7" SINGLE BONUS - COLLECTORSOUT OF PRINT AND TREMENDOUSLY RARE AUDIOPHILE MASTERPIECE. SIMPLY IMPOSSIBLE TO FIND STILL SEALED AND IN PRISTINE CONDITION LIKE WE ARE OFFERING HERE.
Classic Records newest formulation: CLARITY SV-P II CLEAR VINYL!
The genesis of the new formula came as a result of a visit to High End Audios self proclaimed Vinyl Guru Michael Fremers Analog Laboratory. Mr. Fremer demonstrated a Furutech LP demagnetizer. After using the demagnetizer, vocals had so much more texture, bass definition and clarity of every nuance of the recording was vastly improved and there was more low level information than we had ever heard in the recording.
Why did the demagnetizer had the sonic effects on a record? Very simply the carbon black that is ADDED to vinyl for LP manufacture contains trace metals that become randomly magnetized and interfere electrically with the cartridge hanging overhead during play. So... if carbon black and the trace metals contained therein caused playback distortion in the cartridge then why not take out the carbon black altogether? Classic Records Clarity SV-P II Clear Vinyl is the answer!
Clarity Vinyl represents the ultimate in vinyl formulations because it is comprised of over 90% percentage of the highest quality co-polymer available - a key component in vinyl pellets used for manufacturing vinyl records. Further, Clarity Vinyl has no carbon black additive, common in vinyl formulas for LPs. Carbon Black contains trace metals that become magnetized and cause "electrical distortions" in cartridges during playback that smears the sound. By taking out the Carbon Black, Classic Records is able to dramatically reduce the "electrical distortions" and thus bring more "Clarity" to the playback process, providing a more realistic musical experience to the listener and LP à prix réduit enthusiast.
The self-titled debut by The Little Willies is an album that perfectly distills the fun, down-to-earth spirit of this New York band's club shows. The group tears through a mix of covers and originals, from the revved-up western swing of Fred Rose's “Roly Poly” and Willie Nelson's “I Gotta Get Drunk” to the cutting wit of Kris Kristofferson's “Best Of All Possible Worlds”; from the poignancy of Townes Van Zandt's “No Place To Fall” to the cosmic absurdity of their own “Lou Reed.”
The Little Willies formed for purely practical reasons. In 2003, the group of five friends, who were all individually involved in other projects, booked a gig at The Living Room on New York's Lower East Side as an excuse to spend an evening playing music together. They soon discovered that they shared a deep musical vernacular. The members of The Little Willies all grew up listening to a certain breed of classic American music: the songs of Hank Williams, Willie Nelson, Townes Van Zandt and Kris Kristofferson, to name a few. Over the next couple years, The Little Willies continued to play, adding a few originals to their setlist along the way.
The group initially contemplated a live album, but when Jones and Alexander completed work on their home studio, they decided to christen the space with a Little Willies recording session. The resulting album showcases the group's core strengths, while maintaining the loose, spirited, bar-band feel of The Little Willies' live experience.
Includes a bonus 7" single of two alternate tunes: Milking Bull and For the Good Times which have not been released in any other form
Musicians:
Norah Jones, piano, vocals
Richard Julian, guitar, vocals
Lee Alexander, bass
Jim Campilongo, electric guitar
Dan Rieser, drums
The Ordinaires, background vocals
Jon Dryden, organ, accordion
Features:
• Quiex Clarity SV-P II Clear Vinyl
• 200g
• Includes 7" Vinyl Disc
Selections:
1. Roly Poly
2. Ill Never Get Out Of This World Alive
3. Love Me
4. Its Not You Its Me
5. Best of all Possible Worlds
6. No Place to Fall
7. Roll On
8. I Gotta Get Drunk
9. Streets of Baltimore
10. Easy as the Rain
11. Tennessee Stud
12. Night Life
13. Lou Reed
7" Vinyl:
1. Milking Bull
2. For the Good Times
PLUS THE BONUS OFNORAH JONES THE FALL LIMITED DOUBLE 200 GRAM LP SET - WITH THE ORIGINAL RELEASE 2012 VERIFYING ANALOQUE PRODUCTIONS & QUALITY RECORDS MARKETING STICKERS STILL ATTACHED FOR COLLECTORS
Mastered by Kevin Gray at Cohearent Audio from the originalsource recordings!
200-gram audiophile vinyl pressing by Quality RecordPressings. Gatefold, tip-on jackets on heavy cardboard stock, deluxe highquality!
Part of Analogue Productions' reissue of the Norah Jones'solo catalog, featuring the individual albums Come Away With Me, Feels LikeHome, Not Too Late, The Fall and Little Broken Hearts. Each album is featuredin exclusive LP and SACD box sets that include Norah's Covers album!
"Its tricky reviewing the work of Jones, who — likeAlicia Keys and Aimee Mann — has redefined the nature of the distaff soloist.Unlike their predecessors, epitomised by Carole King and others, then learninghow to translate the freedoms of feminism into a new language, this Jones istraceable to Rickie Lee Jones and even Sade, both of whom have added a sense ofease and sa voir faire in place of the angst. Jones has always come across as moremature than her years could possibly account for, because she exhibits thesensibilities of the great stylists of the 1940s-1950s. Thus, she seems bothmodern and vintage all at once. The result is simply gorgeous." SoundQuality: 89%, — Ken Kessler, Hi-Fi News, August 2013
"The Fall sounds particularly good — with Jones goingfor a different sonic palette ... The bass and general bottom end of trackslike Chasing Pirates and Waiting sounds exceptional on this vinylpressing." — Review of the Norah Jones Vinyl Collection by Paul Sinclair,SuperDeluxeEdition.com, January 2013
Norah has taken a new direction on The Fall, experimentingwith different sounds and a new set of collaborators, including Jacquire King,a noted producer and engineer who has worked with Kings of Leon, Tom Waits andModest Mouse. Richly detailed and vocally lush on 200-gram, super-silent vinylfrom Analogue Productions, The Fall, Jones' fourth album, may surprise some ofJones' die-hard fans, Billboard magazine notes. During the 13-song set, Jonesditches the gentle piano playing of her previous work and tears into fresh,beat-savvy arrangements, playing plenty of electric guitar and exploring thepiercing quality of Wurlitzer electric piano. Jones' smoky voice and soulfulveneer highlight the opening track and first single, "ChasingPirates."
Jones displays a slinky kind of ambience on "Light As aFeather (co-written with Ryan Adams). The social commentary "It's GonnaBe" offers a garage-rock attitude, and "You've Ruined Me" has arich Americana flavor. But Jones is still a little bit country ("Tell YerMama") and a little bit rock'n'roll ("Stuck"). Overall, writesreviewer Gary Graff, Jones straddles those lines in an entirely differentmanner than she ever has before.
For The Fall, Jones enlisted several songwritingcollaborators, including Ryan Adams and Okkervil River's Will Sheff, as well asher frequent partners Jesse Harris and Richard Julian. Musicians includedrummers Joey Waronker (Beck, R.E.M.) and James Gadson (Bill Withers),keyboardist James Poyser (Erykah Badu, Al Green) and guitarists Marc Ribot (TomWaits, Elvis Costello) and Smokey Hormel (Johnny Cash, Joe Strummer).
Selections:
Side A:
1. Chasing Pirates
2. Even Though
3. Light As A Feather
4. Young Blood
5. I Wouldnt Need You
6. Waiting
7. Its Gonna Be
Side B:
1. Youve Ruined Me
2. Back To Manhattan
3. Stuck
4. December
5. Tell Yer Mama
6. Man Of The Hour
PLUS THE ORIGINAL NORAH JONES FEELS LIKE HOME BLUE NOTE USA 2004 RELEASE WITH GATEFOLD JACKET
2005 Grammy Award Winner for Best Female Pop VocalPerformance (Sunrise)!
When Norah Jones released her debut disc, Come Away With Me,on Blue Note Records in February 2002, the then 22-year-old singer had no ideathe album would be a best-seller. As it turns out, Jones enjoyed an abundanceof surprises. A runaway hit, Come Away With Me became a multi-Grammy winner,multi-platinum seller and opened the door for her to perform around the worldwith her band.
Norah Jones returns to the heartfelt on the eagerlyanticipated Feels Like Home, her new Blue Note album. The collection featuresthe singer-songwriter-pianist once again teaming with Mardin, engineer JayNewland and her close-knit touring band. Jones has penned several songs by herself and with songwriting partner Lee Alexander gathered other songs from her band mates and friends, anddelivers three covers: Townes Van Zandt's "BeHere To Love Me," Tom Waits and Kathleen Brennan's"The Long Way Home" and Duke Ellington's"Melancholia," which she wrote lyrics to and retitled "Dont Miss You At All."
The LP was recorded in two sessions. Last April Jones andher band convened in an upstate New York studio and worked on new songs,including some they had been performing in concert. After an extensive U.S.summer tour, everyone reassembled in New York City to revisit the tracksalready recorded, work on different arrangements that had been road-tested andadd new numbers to the mix.
On the LP, Jones plays piano, Wurlitzer electric piano andpump organ and features her core group, comprising guitarists Adam Levy andKevin Breit, background vocalist Daru Oda, bassist Lee Alexander and drummerAndrew Borger. She also brings aboard a select short-list of guests, includingDolly Parton, drummer Levon Helm and organist/accordionist Garth Hudson of TheBand, long-time friends guitarists Jesse Harris and Tony Scherr, drummer BrianBlade and keyboardist Rob Burger.
Like the first album, Jones imbues the music on Feels LikeHome with country, pop and jazz colors. Unlike the quiet, balladic mood of ComeAway With Me, Jones varied the tempo on the new album to reflect the evolutionof her live performances.
Selections:
1 Sunrise
2 What Am I to You?
3 Those Sweet Words
4 Carnival Town
5 In the Morning
6 Be Here to Love Me
7 Creepin' In
8 Toes
9 Humble Me
10 Above Ground
11 The Long Way Home
12 The Prettiest Thing
13 Don't Miss You At All
OUR LAST COPIESFOREVER
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You should never pass up the opportunity to upgrade your collection. Theyre each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Dont second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.
The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard.
